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VISHWASHANTHI VOL- 5,6,7,8 | CD - music

Since 1967

₹300

(Inclusive of all taxes · billed in ₹ INR)

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Why Dancers Love This

  • Authentic Classical Dance Learning Material
  • Curated by Practitioners of the Art Form
  • Perfect for Students & Teachers Alike

VISHWASHANTHI VOL- 5,6,7,8



Item Details

Format Physical Copy / Digital
Language English / Tamil
Genre Educational / Classical Arts

Frequently Asked Questions

Q: What aspects of Bharatanatyam performance are highlighted in 'VISHWASHANTHI VOL- 5,6,7,8 | CD - music'?

A: This CD provides musical accompaniment suitable for various aspects of Bharatanatyam, including Alarippu, Jathiswaram, Shabdam, Varnam, Padam, and Thillana. The compositions support both Nritta (pure dance) and Nritya (expressive dance) elements, enriching the dancer's ability to convey complex emotions and rhythmic patterns.

Q: Is 'VISHWASHANTHI VOL- 5,6,7,8 | CD - music' suitable for Arangetram performances?

A: Yes, the 'VISHWASHANTHI VOL- 5,6,7,8 | CD - music' is very suitable for Arangetram. The collection includes pieces that cover the traditional repertoire required for a full-length Bharatanatyam performance, offering music for items spanning from invocatory pieces to the concluding Thillana. It is especially useful for students trained in the Pandanallur or Thanjavur styles.

Q: Does 'VISHWASHANTHI VOL- 5,6,7,8 | CD - music' include compositions suitable for dancers at different skill levels, from beginner to advanced?

A: Yes, the CD contains music appropriate for a range of skill levels. Simpler compositions are suitable for beginners focusing on adavus and basic rhythmic patterns, while more complex pieces can challenge advanced dancers, allowing them to refine their expression and explore intricate choreography.

Q: Can 'VISHWASHANTHI VOL- 5,6,7,8 | CD - music' be used to practice specific aspects of Bharatanatyam technique, such as Aramandi or মুদ্রা (mudra)?

A: The CD facilitates practice of core Bharatanatyam techniques. The rhythmic structures support the development of precise Aramandi (half-sitting position) and the music's emotive qualities encourage nuanced use of hasta mudras (hand gestures) to communicate meaning. The variety of ragas and talas enhances rhythmic control and expressive capability.

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