For the Dancers Intellect : Theory and history 2 books
Dr. Padma Subrahmanyam is very talented. She is a dancer, scholar, and choreographer. She also sings, composes music, and teaches. She is an author and an expert in Indic studies....
Dr. Padma Subrahmanyam is very talented. She is a dancer, scholar, and choreographer. She also sings, composes music, and teaches. She is an author and an expert in Indic studies.
Her father was Director K. Subrahmanyam. He was a famous film maker and freedom fighter. He was also important in the cultural world. Dr. Padma has a Music degree. She also has a degree in Ethno Musicology. Her Ph.D is about "Karanas in Indian Dance & Sculpture." She connects theory and practice.
Dr. Padma is the President of Nrithyodaya. Her father started this dance school in 1942. She is also a Managing Trustee. This is for the Bharata-Ilango Foundation for Asian Culture (BIFAC). BIFAC studies performing arts in Asia.
She is a Managing Trustee of another group. It is the Director K. Subrahmanyam Memorial Trust. She is also a Trustee of two other centers. These are the Indira Gandhi National Centre for the Arts (IGNCA) and Bharat Bhavan. Bharat Bhavan is in Bhopal, Madhya Pradesh.
She works with some Universities. She is now the Programme Director at SASTRA University. She directs BFA & MFA Distance Education Courses in Bharatanatyam. She also directs the Ph.D program.
She has won about 130 awards. These are from both India and other countries. They include Padma Shri and Padma Bhushan. She also won the Sangeet Natak Akademi Award. She received the Akademi Ratna from the President of India.
She is the only Indian classical dancer to win a special award. It is the Fukuoka Asian Cultural Award from Japan. She won for helping development and harmony in Asia. She was also made an Honorary Fellow. This was by the Asiatic Society of Mumbai. It was founded in 1804.
IGNCA made a long movie about her. It is about her work with the Karanas. The movie is on the IGNCA Facebook page. She still dances a lot. She tours in India and other countries.
Item Details
| Format | Physical Copy / Digital |
| Language | English / Tamil |
| Genre | Educational / Classical Arts |
Frequently Asked Questions
Q: What specific aspects of Bharatanatyam theory are covered in 'For the Dancers Intellect: Theory and History 2 books'?
A: This series delves into the core theoretical underpinnings of Bharatanatyam, including a detailed exploration of Adavus, Hastas, and the intricate rhythmic structures (Talas) essential for understanding the dance form from its foundational Aramandi to complex Jatis.
Q: Does 'For the Dancers Intellect: Theory and History 2 books' explore the historical context of Indian Classical Dance, specifically concerning its evolution and connection to temple traditions?
A: Yes, the series provides a comprehensive historical overview, tracing the evolution of Indian Classical Dance, with a focus on its roots in ancient temple traditions and its subsequent development through various periods, highlighting the socio-cultural influences shaping its trajectory.
Q: Is 'For the Dancers Intellect: Theory and History 2 books' suitable for dancers preparing for their Arangetram, or is it more geared towards advanced practitioners and researchers?
A: While beneficial for dancers at all levels, 'For the Dancers Intellect' is particularly valuable for those preparing for their Arangetram. The books offer a deep dive into the theoretical and historical aspects, providing a strong foundation for understanding and interpreting the nuances of the dance form, and contributing to a more informed and expressive performance.
Q: Does 'For the Dancers Intellect: Theory and History 2 books' address the philosophical and spiritual dimensions of Indian Classical Dance, beyond just the technical aspects of movement and rhythm?
A: Indeed, the series explores the philosophical and spiritual dimensions inherent in Indian Classical Dance. It examines how the dance serves as a medium for conveying spiritual narratives and exploring deeper philosophical concepts related to Indian aesthetics and cultural values embedded within the performance.